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    <lastmod>2026-01-21</lastmod>
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      <image:title>Book Reviews - Romance on the Airwaves - Make it stand out</image:title>
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    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2026/1/14/appetite-a-moveable-feast</loc>
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    <lastmod>2026-01-23</lastmod>
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      <image:title>Book Reviews - Appetite: A Moveable Feast - Make it stand out</image:title>
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    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2025/8/19/review-the-dcosta-family</loc>
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    <lastmod>2025-09-05</lastmod>
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      <image:title>Book Reviews - The D'Costa Family</image:title>
      <image:caption>Maulee Senapati is an award-winning filmmaker, artist, and a film academic. He is an alumnus of FTII, Pune, the premier film institute of India. Presently, Senapati is engaged with the Faculty of Film and TV, Dada Lakhmi Chand State University of Performing and Visual Arts, Rohtak (Haryana), India, as a professor of Film Direction. The D’Costa Family can be purchased here.</image:caption>
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    <lastmod>2024-10-04</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2022/6/7/ieyg0qn46t11taczd2hgj0w3l4k6jq</loc>
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    <lastmod>2025-09-05</lastmod>
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    <lastmod>2022-05-22</lastmod>
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    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/11/16/056q3isp5ib63rvlvivsmic0etttyn</loc>
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    <lastmod>2021-11-24</lastmod>
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      <image:title>Book Reviews - Review: Anthology Outside In - Make it stand out</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/11/9/review-sisterhood-of-swans</loc>
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    <lastmod>2021-11-10</lastmod>
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      <image:title>Book Reviews - Review: Sisterhood of Swans - Make it stand out</image:title>
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    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/9/26/excerpt-starfish-pickle</loc>
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    <lastmod>2021-09-27</lastmod>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle</image:title>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle</image:title>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle</image:title>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle</image:title>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle</image:title>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle</image:title>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Book Reviews - Excerpt: Starfish Pickle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1632642971660-ZJSJJC7H2IFIJ80SJZ6Q/StarfishPickle-Front.jpg</image:loc>
      <image:title>Book Reviews - Excerpt: Starfish Pickle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/7/28/sisterhood-of-swans</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-15</lastmod>
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      <image:title>Book Reviews - EXCERPT: Sisterhood of Swans - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Book Reviews - EXCERPT: Sisterhood of Swans - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/7/1/in-the-mirror-our-graves-by-ra-sh</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-01</lastmod>
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      <image:title>Book Reviews - In the Mirror, Our Graves by Ra Sh and Ritamvara - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/5/21/m4c8yynnqye5wo92gbiqcl3s4oargu</loc>
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    <lastmod>2021-09-26</lastmod>
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      <image:title>Book Reviews - EXCERPT: I'm Old, I'm Wise &amp;amp; I know my sh*t - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2021/2/14/the-fever-and-other-short-story-by-jose-lourenco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1613303089742-SNCN1D4V4I1W1ZHCXY9M/jose+lourenco.jpg</image:loc>
      <image:title>Book Reviews - The Fever and Other Stories by Jose Lourenco</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2020/7/27/an-extraordinary-life-a-biography-of-manohar-parrikar-by-sadguru-patil-and-mayabhushan-nagvenkar-0WHAU</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1595836957609-85J5G7F49I8APG2OPZPK/MP.jpg</image:loc>
      <image:title>Book Reviews - An Extraordinary Life: A Biography of Manohar Parrikar</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2020/4/28/good-boys-by-megan-fernandes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
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      <image:title>Book Reviews - Good Boys by Megan Fernandes - Selma Carvalho is editor at JRLJ. Good Boys is available for purchase here.</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2020/3/12/the-almost-mothers-by-laura-besley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-28</lastmod>
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      <image:title>Book Reviews - The Almost Mothers by Laura Besley</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2020/2/10/kirnnam-by-irene-cardozo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1581434828345-GEJP5Y3IA4EQ4W8FJE5Z/IMG-20200211-WA0010.jpg</image:loc>
      <image:title>Book Reviews - 'Kirnnam' by Irene Cardozo (Children's literature in Konkani)</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/12/8/a-roll-of-the-dice-a-story-of-loss-love-and-genetics-by-mona-dash</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1575802118133-O8LD6DXYYO19LND23IUS/mona+dash+2.jpg</image:loc>
      <image:title>Book Reviews - A roll of the dice: A story of loss, love and genetics by Mona Dash</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/8/26/aart-by-jayanti-naik</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-27</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/5/20/song-sung-blue-by-savia-viegas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-20</lastmod>
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      <image:title>Book Reviews - Song Sung Blue by Savia Viegas</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/5/17/love-n-share-it-by-bennet-paes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1558093187439-TRKE409UFRB64HO9M918/bennet.JPG</image:loc>
      <image:title>Book Reviews - Love 'n Share it by Bennet Paes</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/4/6/beyond-bandra-by-edwin-fernandes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-06</lastmod>
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      <image:title>Book Reviews - Beyond Bandra by Edwin Fernandes</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/2/11/the-house-at-43-hill-road</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-06</lastmod>
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      <image:title>Book Reviews - The House at 43, Hill Road by Brenda Rodrigues</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/1/14/musings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1547535563598-3F9D9QWPH4HBZT36DXOO/musings.jpg</image:loc>
      <image:title>Book Reviews - Musings by Ashlesha Athavale</image:title>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/1/12/sita-valles-a-revolutionary-until-death</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-06</lastmod>
    <image:image>
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      <image:title>Book Reviews - Sita Valles: A Revolutionary Until Death by Leonor Figueiredo</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/review-events-new/2019/1/8/pio-gama-pinto-kenyas-unsung-martyr-1927-1965</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
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      <image:title>Book Reviews - Pio Gama Pinto: Kenya's Unsung Martyr, 1927-1965 by Shiraz Durrani</image:title>
      <image:caption>Pio Gama Pinto Road, Nairobi, Kenya.</image:caption>
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      <image:title>Book Reviews - Pio Gama Pinto: Kenya's Unsung Martyr, 1927-1965 by Shiraz Durrani</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2025/12/17/the-most-famous-suitcase-in-goan-art-history</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>A glimpse of Victor Rangel-Ribeiro’s house in Porvorim.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/bc851f76-a3ba-4cd7-8796-0e3450a24019/GoaTrip2011_1011_14_08_2011+_+12_56_50.jpg</image:loc>
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      <image:caption>Mater Dei Institution, Saligao, where Victor began his scholatic life.</image:caption>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2025/9/3/a-book-full-of-rice-portuguese-colonialism-food-and-society-in-goa-1900-1961</loc>
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    <priority>0.5</priority>
    <lastmod>2025-09-06</lastmod>
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      <image:caption>The book is available for purchase here. Banner image is by Adrian Gomez.</image:caption>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2024/12/5/obzjbgd8ymypysulvxp8s9nhjrfk6k</loc>
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    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2024/10/6/1g2ljzun9fuom2qo547y4zxyy5f2by</loc>
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    <lastmod>2024-10-09</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2024/7/1/coins-in-rivers-heta-pandit-on-rochelle-potkar</loc>
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  </url>
  <url>
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      <image:caption>Michelle Mendonça Bambawale in conversation with Selma Carvalho on 30 May, 2024 at the Nehru Centre London during the London launch of the book Becoming Goan (Penguin Random House).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/a31622fd-577b-4113-a4cb-b5ddd21c5d64/becoming+goan.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
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    <lastmod>2024-07-01</lastmod>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2022/6/16/still-lives-mangoes-dont-grow-in-manchester</loc>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2022/4/9/i-am-not-your-eve-interrogating-male-colonial-privilege</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-04-11</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2022/3/4/zanzibars-goan-bandsmen</loc>
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      <image:caption>Picture of the Sultan’s Goan Band, part of the Winterton Collection, held by the Northwestern University, USA.</image:caption>
    </image:image>
  </url>
  <url>
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    <priority>0.5</priority>
    <lastmod>2022-05-27</lastmod>
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      <image:title>Non-fiction - Photo Essay: My Friend Shubhi</image:title>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2022/2/28/footnotes-on-vimala-devi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-02</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/11/3/artist-julio-dsouza-the-one-last-supper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-16</lastmod>
    <image:image>
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      <image:title>Non-fiction - Artist Julio D'Souza: The One Last Supper</image:title>
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    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/11/9/o-christmas-cake</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
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    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/10/11/reshma-ruia-the-unmoored-life</loc>
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    <priority>0.5</priority>
    <lastmod>2021-10-11</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/9/26/1991-dispossessions-a-30th-anniversary-remembrance-of-the-gulf-war</loc>
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    <lastmod>2021-09-27</lastmod>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/7/31/remembering-how-to-look-on-the-train-to-baghdad</loc>
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      <image:title>Non-fiction - Remembering How to Look: On the Train to Baghdad - Alba (my mother) and fellow teachers, Kuwait, mid-1950s</image:title>
      <image:caption />
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    <lastmod>2021-08-03</lastmod>
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      <image:title>Non-fiction - A Late Letter, Missing Wedding Photographs, and a Phone Call from Baghdad - Make it stand out</image:title>
      <image:caption>Images courtesy of Marlon Menezes</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/8/1/two-works-ethnic-cleansing-amp-children-of-war</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/7/31/even-if-my-voice-shakes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-04</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/7/29/gncl78rtenpmuvmg38s18yosuwof3z</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-01</lastmod>
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      <image:caption>Suad Wafa, circa 1964. Photo courtesy of Shahd Alshammari</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/7/29/0gnh1ccsy08r81gnljxhua2axu8q6s</loc>
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      <image:caption />
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      <image:title>Non-fiction - Disturbance: 1990, 1980, and 2003</image:title>
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      <image:title>Non-fiction - Disturbance: 1990, 1980, and 2003</image:title>
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  </url>
  <url>
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      <image:title>Non-fiction - When the Dancing Stopped</image:title>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/7/6/souza-the-artist-his-loves-amp-his-times</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/5/23/chasing-tail-with-mini-skirt-a-byron-bay-gonzo-rock-n-roll-odyssey</loc>
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    <priority>0.5</priority>
    <lastmod>2021-05-28</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/5/25/revisiting-pakistani-and-east-african-goan-diasporas</loc>
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    <lastmod>2021-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1621963888461-7VYZBMWCXL9IKNV8YLR9/Goans+of+karachi.JPG</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1621965054475-X8CWPW4GK8G17LI162LM/MeninFootSteps2020_DSC1099.jpg</image:loc>
      <image:title>Non-fiction - Revisiting Goan Diasporas of Pakistan and East Africa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/5/13/mona-dash-a-sensual-feast</loc>
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    <lastmod>2021-06-14</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/3/26/siddharth-dasgupta-a-moveable-east</loc>
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  <url>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/2/22/kololo-hill-a-story-of-courage-in-the-face-of-displacement</loc>
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    <lastmod>2021-02-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1614023873226-AU2DZKCAPE7CYAJXL5H0/5140EnUBAtL._SX313_BO1%2C204%2C203%2C200_.jpg</image:loc>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2021/2/1/vitesh-naik-i-sketch-and-search-for-myself-in-milling-crowds</loc>
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    <priority>0.5</priority>
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      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1612378038246-IR61MWP1UTRQ2ID390PN/Vitesh+Naik+1.jpg</image:loc>
      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1612378059707-4C6TXHPHNSMFBVR8I7YE/vitesk+naik+2.jpg</image:loc>
      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
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    <image:image>
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      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
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    <image:image>
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      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
    </image:image>
    <image:image>
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      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
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      <image:title>Non-fiction - Vitesh Naik: I See Myself in Crowds</image:title>
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  <url>
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    <lastmod>2021-01-30</lastmod>
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      <image:caption>This picture is likely to have been taken at Fort Smith or Ngong circa 1896. Seated in the middle is Elvira de Sousa, at her feet sits James Martin. His clerk Anacleto de Silva who later became a popular guide to big game hunters being one himself can be seen far left. Credit unknown.</image:caption>
    </image:image>
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      <image:title>Non-fiction - A Goan Wedding in Zanzibar, 1896</image:title>
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    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/11/8/interpreting-sudhir-sukta-waghacho-rag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-16</lastmod>
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    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/10/27/gkphakteza1fw4e3irjrz61td2n71t</loc>
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    <lastmod>2020-11-02</lastmod>
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      <image:title>Non-fiction - Gavin Barrett: I am a Pocomomo - a postcolonial modern mongrel</image:title>
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  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/9/19/the-suppression-of-romi-konkani-and-the-shaming-of-a-people</loc>
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    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
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      <image:title>Non-fiction - The Suppression of Romi Konkani and the shaming of a people</image:title>
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    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/7/31/interview-eleanor-viegas-art-and-a-mindful-life</loc>
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    <priority>0.5</priority>
    <lastmod>2020-11-10</lastmod>
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      <image:title>Non-fiction - Eleanor Viegas: From the Cotswolds to Goa</image:title>
      <image:caption>A typical Cotswolds village in central England.</image:caption>
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    <image:image>
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      <image:title>Non-fiction - Eleanor Viegas: From the Cotswolds to Goa</image:title>
      <image:caption>Birmingham Museum and Art Gallery.</image:caption>
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      <image:title>Non-fiction - Eleanor Viegas: From the Cotswolds to Goa</image:title>
      <image:caption>Eleanor Viegas conducting an art class.</image:caption>
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      <image:title>Non-fiction - Eleanor Viegas: From the Cotswolds to Goa</image:title>
      <image:caption>Peace Cottage in Betalbatim, Goa.</image:caption>
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  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/7/8/goan-houses-and-homes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/6/20/goa-inquisition-forthcoming-a-much-needed-book</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/4/26/our-other-lives-goan-writers-amp-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/4/22/bombay-balcho-inspired-by-family-histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1588233674581-7631L7XAKY3KD4OZKMAP/Jane+Borges+1.jpg</image:loc>
      <image:title>Non-fiction - Bombay Balchão:  Inspired by Family Histories - Johnny Borges with siblings, Hanging Gardens, Bombay</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1588233709643-7XJWJ80TDO15PMVKWJFE/Jane+Borges+3.png</image:loc>
      <image:title>Non-fiction - Bombay Balchão:  Inspired by Family Histories - Sandra Borges at family bakery, Walkeshwar, Malabar Hill</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1588234162142-JFW4S6F3XTYHMZAHAT20/Jane+Borges+2.jpeg</image:loc>
      <image:title>Non-fiction - Bombay Balchão:  Inspired by Family Histories</image:title>
      <image:caption>183-A Pius X Mansion in Cavel, which was the inspiration behind Bosco Mansion in Bombay Balchão. The building gave the city three mayors—Dr Joseph Collaco, Dr Joseph Alban D'Souza and Dr Joseph Leon D'Souza lived on different floors of the century-old structure. Picture courtesy of and copyright Sohini Mitter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1587746312220-8MZPTD56R889ZEBNQ4G2/bombay+balc.jpg</image:loc>
      <image:title>Non-fiction - Bombay Balchão:  Inspired by Family Histories</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/4/3/the-grand-son-souza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/4/2/xg2e64n86b3cwzqwm8446j9lq0nm90</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/4/1/goan-literature-then-and-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1585761037711-EL8IGKZXFSNFZX22UQQL/TBNWGWA.jpg</image:loc>
      <image:title>Non-fiction - Goan Literature: Then and Now</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/3/23/the-goan-club-its-history-in-souvenir-brochures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1584973394173-AN086AV1C7JCCLAU2NDR/Goan+Gymkhana+Nairobi%2Ccrowd.jpg</image:loc>
      <image:title>Non-fiction - The Goan Club: Its History in Souvenir Brochures</image:title>
      <image:caption>Goan Gymkhana Nairobi. c. 1940s. Credit: unknown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1584991714678-EOV8EJ7Y2GSGWB398T5T/Capture.jpg</image:loc>
      <image:title>Non-fiction - The Goan Club: Its History in Souvenir Brochures</image:title>
      <image:caption>Sundowner at the Goan Gymkhana Nairobi c. 1937. Copyright Mervyn Maciel. Loaned to the Oral Histories of British-Goans Project.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/2/23/poets-and-uncles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/1/13/my-sons-goa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-14</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/1/15/before-the-rains-arrived</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-14</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/2/4/ygc8swtcikdp16hlcucjttdzvg3xvk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-14</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/1/6/ytgi79u8l1q0f5n8rns72srpvkcel0</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-14</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2020/1/22/my-childhood-in-palolem-canacona-c-1963</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-14</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/12/5/the-goan-festive-season-through-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1575541555071-PKN1YS0W3CXADN2ZK4GI/Ekvat+Grp+Lisbon+at+San+Roque+Church+3+Dec+2019.jpg</image:loc>
      <image:title>Non-fiction - The Goan Festive Season Through History</image:title>
      <image:caption>The Group Ekvat performing for the St. Xaviers’ Feast celebrated at Igreja de Sao Roque, Lisbon, Portugal, 3 Dec, 2019. Photo copyright Casa de Goa group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1575571207252-SP03VKL5BIXHFT5QLAQL/st+francis+xavier+feast+celelbrations+Nairobi+organised+by+%27friends+of+St+Xavier+committee.jpg</image:loc>
      <image:title>Non-fiction - The Goan Festive Season Through History</image:title>
      <image:caption>St Xavier’s Feast commemorated by Friends of St Xavier’s Committee, Nairobi, Kenya, 3 Dec 2019. Photo copyright Bradley Rebello.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1575615920940-ULTSYEN7G4G9NC2JKBLH/Serapino+Antao+2009.jpg</image:loc>
      <image:title>Non-fiction - The Goan Festive Season Through History</image:title>
      <image:caption>Meeting of old and new friends. Lira Fernandes, Selma Carvalho and gold medalist sportsman Seraphino Antao, Christmas Day 2009, London, UK at the home of Goan Voice UK owners Eddie and Lira Fernandes. Seraphino, Eddie and Lira grew up in Mombasa, Kenya, and were among the early arrivals in the UK during the 1950s. Eddie Fernandes was present during the 1962 meeting to discuss the formation of a Catholic association in the UK which in 1966 became the G.O.A UK. Photo copyright Selma Carvalho.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1575804628639-9NDJ9UB5C89PB3FYFOBX/Lorraine%2BMendes.jpg</image:loc>
      <image:title>Non-fiction - The Goan Festive Season Through History</image:title>
      <image:caption>Goan Christmas party, Ontario, Canada, 2018. Photo copyright Lorraine and Jude D’Cunha.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/11/20/a9i98kvbr3n16tf1uar20mr874n648</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1574268323005-1T9S1QI5MXZ7KAQ072KB/Solomon%2BSouza%2B2%2Boutside%2BF%2BN%2BSouza%2527s%2Bhouse.jpg</image:loc>
      <image:title>Non-fiction - Souza’s Art Lineage: From Attic to Public Art&amp;nbsp;</image:title>
      <image:caption>Solomon Souza peering into his grandfather F N Souza’s maternal house. Saligao, Goa, 2019. Image copyright.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1574268470883-JKKNDLNCREUG5ST5ZZI2/Solomon+6.jpg</image:loc>
      <image:title>Non-fiction - Souza’s Art Lineage: From Attic to Public Art&amp;nbsp;</image:title>
      <image:caption>Solomon Souza at work, Goa, 2019. Image copyright.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1574268714292-3M1YWUUE2GD9YK6JHHRK/vivek+image+of+anthony+de+mello+by+solomon+souza.jpg</image:loc>
      <image:title>Non-fiction - Souza’s Art Lineage: From Attic to Public Art&amp;nbsp; - Antony de Mello by Souza, image copyright Vivek Menezes</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1574268734747-LUMPUFA7M4DMH6TT1ND9/eunice+courtesy+of+vivek.jpg</image:loc>
      <image:title>Non-fiction - Souza’s Art Lineage: From Attic to Public Art&amp;nbsp; - Eunice de Souza by Souza, image copyright Vivek Menezes</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1574268936852-I270G9LHXVKIJT7QBPWA/Solomon+5.jpg</image:loc>
      <image:title>Non-fiction - Souza’s Art Lineage: From Attic to Public Art&amp;nbsp;</image:title>
      <image:caption>Solomon Souza meeting family in Goa. Image copyright.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/11/14/2nckcfwf76rpfmod7yah5ei0kne4k8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1573733872968-N0FWTLXBLK0JPF0CL7TN/vatsala.jpg</image:loc>
      <image:title>Non-fiction - The Unheard: Goa's African Slaves</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/11/4/travelogue-holy-land-and-so-this-is-christian</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572896430739-OL4CBQ3OEMSJI99BPN54/Bene+7.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian</image:title>
      <image:caption>View of the city, Jerusalem, 14 June 2019. Photographs © R. Benedito Ferrão. Click on image to enlarge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572894514720-UHJ0G31PG6QOX2M61MWU/Damascus+gate.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian</image:title>
      <image:caption>Damascus Gate by night, East Jerusalem, 13 June 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572894833174-H6CXY30UM9F7JUDE62ZP/gate+by+day.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian</image:title>
      <image:caption>Damascus Gate by day, East Jerusalem, 14 June 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572895943331-G8Y4FEWCGJLFDHOLT5HK/Bene+3.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian - Metal door within the Damascus Gate (with bullet holes), The Old City, 15 June 2019.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572895960810-HH36UHF6LOP4K2B1LE3G/Bene+2.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian - The Holy Sepulchre, Old Jerusalem, 14 June 2019.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572899693031-O952F2KNJBPPEW095WU2/holy+seplucher+2.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian - Inside the Basilica of the Holy Sepulchre, The Old City, 14 June 2019.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572899714289-TYE10RAL4CQ2WPQDLTGJ/holy+sepluchre+church.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian - The public square outside the Basilica of the Holy Sepulchre, The Old City, 14 June 2019.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572896529246-M8MILITP4GIU1DB2D6J8/Bene+5.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian - Along the Via Dolorosa (Station Four: Jesus Meets his Mother), The Old City, 15 June 2019.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572898614089-21SLBUCVLWC8SDOXRD9A/Bene+4.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian - Along the Via Dolorosa, The Old City, 15 June 2019.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572899140695-T40LOWOANZ60ZPPO3POU/devotees.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian</image:title>
      <image:caption>Devotees touch the Stone of Unction, Basilica of the Holy Sepulchre, 14 June 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572898918843-BT6VT52DKGBOJ9DPFS1X/the+wall.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: And So this is Christian</image:title>
      <image:caption>Part of the wall barricading East Jerusalem, 14 June 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/11/2/viraj-naik-ordinary-superheroes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572715936855-ZD24JY2M0JKRAL1JWIJY/09_Viraj+Naik+at+work+on+the+Painting+of+The+Triumphant+Trio+%282015%29+viraj+15.jpg</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes</image:title>
      <image:caption>Viraj Naik at work on the Painting of The Triumphant Trio (2015).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572716112995-2B5TIV53DXMM407JHTVA/08_The+Process+for+The+Triumphant+Trio+%282015%29+viraj+14.JPG</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes</image:title>
      <image:caption>The Process for The Triumphant Trio (2015), where models were used for the composition of the artwork.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572713545932-LGXHTWCND6H1UVS79AE7/02_Drawing+C+%282018%29+%5BPen%2C+ink+and+graphite%2C+20cm+x+29cm%5D+viraj+naik+3.JPG</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes - Drawing C (2018), Pen, ink and graphite, 20cm x 29cm</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572713609298-1TJEF8KP9LDHUIMN77TD/01_Drawing+B+%282018%29+%5BPen%2Cink+and+graphite%2C+20cm+x+29cm%5D+viraj+naik.JPG</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes - Drawing B (2018), Pen, ink and graphite, 20cm x 29cm</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572713806931-LM44QKLDIGZY5LDYIP7O/03_Ten+Members+II+%282018%29%5BPen%2Cink+and+graphite%2C+50cm+x+90cm%5D.jpg+viraj+naik+2.jpg</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes</image:title>
      <image:caption>Ten Members II (2018), Pen, ink and graphite, 50cm x 90cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572776234565-TJW2RI7JQ3INQ7TLPY95/04_Ten+Members+III+%282018%29+%5BPen%2C+ink%2C+and+graphite++50cm+x+90cm%5D.jpg</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes</image:title>
      <image:caption>Ten Members III (2018), Pen, ink and graphite, 50cm x 90cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572714480167-ZKUFQKX9IAWN0NEQJC4H/05_Z+3+%282019%29+%5BPen%2C+ink%2C+and+graphite%2C+29cm+x+20cm%5D+viraj+10.JPG</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes - Z 3 (2019), Pen, ink, and graphite, 29cm x 20cm</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572714521492-CY1TU20IP607N4IKOYGM/06_Z+4+%282019%29+%5BPen%2C+ink%2C+and+graphite%5D+viraj+11.JPG</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes - Z 4 (2019), Etching, 30cm x 35 cm</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572716190421-EHDYSBPAN6JVW9C5VT0T/07_The+Triumphant+Trio+%282015%29+viraj+11.JPG</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes</image:title>
      <image:caption>The Triumphant Trio (2015), Mixed Media on Canvas, 25 ft x 19 ft.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572713068516-EEP53DWOPEJ9TF0L21KH/10_Untitiled+based+on+Triumphant+Trio+%282015%29+viraj+18.jpg</image:loc>
      <image:title>Non-fiction - Ordinary Superheroes</image:title>
      <image:caption>Untitled (2018), Oil on Canvas 5ft x 7 ft. The painting is based on the painting The Triumphant Trio (2018).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/10/22/memoir-the-note-book-a-window-into-colonial-goa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572283950078-ILPJKQ6NKBGJQLWIC5HP/Edith%2BMelo%2BFurtado.jpg</image:loc>
      <image:title>Non-fiction - Memoir: The Note-Book (A window into Colonial Goa)</image:title>
      <image:caption>Edith aged four. Goa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572177777603-5DX3C1ZUAIEQF9B6RNKU/panjim+society.jpg</image:loc>
      <image:title>Non-fiction - Memoir: The Note-Book (A window into Colonial Goa)</image:title>
      <image:caption>Colonial Panjim society attending a soiree, c. 1950s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572177229977-CPZDZVKRDXWSVCAV1GYH/conde+de+linares+bridge+panjim+1930.jpg</image:loc>
      <image:title>Non-fiction - Memoir: The Note-Book (A window into Colonial Goa) - Images of colonial Panjim</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1572177371764-N39WGPQGVCIFW1RCF6AQ/Road+going+to+Campal.jpg</image:loc>
      <image:title>Non-fiction - Memoir: The Note-Book (A window into Colonial Goa)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/10/6/tina-athaide-forgotten-histories-of-uganda-goans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1570989664715-TLVYIIKA2PXQ9C1YOEGC/007A%2B-%2BLOBO%2BBUSINESS%2B%253D%2BBARNET%2BSTORES.jpg</image:loc>
      <image:title>Non-fiction - Tina Athaide: Forgotten Histories of Ugandan Goans</image:title>
      <image:caption>The history of Goans in Uganda dates back to the 1800s. The prominent businessman A. Figueiredo had arrived in 1897 and settled in Mengo where he established a business by 1900. Goan businesses concentrated on retailing, tailoring, and rickshaw hire. Large numbers of Goans worked for the British administration. Seen above Barnet Soda drinks Company circa 1918, owned by the Lobo family. (picture courtesy and copyright of Jude John Lobo, loaned to the Oral Histories of British-Goans project.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1571408870538-JM66UL9KA9CZV6YI86D2/50th+Anniv1960+Uganda+Tina+Athaide.jpg</image:loc>
      <image:title>Non-fiction - Tina Athaide: Forgotten Histories of Ugandan Goans - 50th anniversary, Kampala Goan Inst., June 1960</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1571408765125-VWXSFWLPABMLWHZIO11N/Cricket+team+Uganda+Tina+Athaide.jpg</image:loc>
      <image:title>Non-fiction - Tina Athaide: Forgotten Histories of Ugandan Goans - Kampala Field Hockey Team, 1967. Courtesy T. Athaide</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1570791591580-66ORG62RSP4CLOB1JT5Z/Our+first+English+holiday+%40+Littlehampton-Sussex.jpg</image:loc>
      <image:title>Non-fiction - Tina Athaide: Forgotten Histories of Ugandan Goans</image:title>
      <image:caption>Early Goan arrivals from East Africa into UK. Mervyn Maciel and family on a seaside holiday, c. 1967</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1570990019859-0QYFT4VVBWOQEHZR4ZKE/Orange+for+the+sunsets.jpg</image:loc>
      <image:title>Non-fiction - Tina Athaide: Forgotten Histories of Ugandan Goans</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/9/24/canadian-goans-write-back</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1569321172028-91RKBE53G2APS8CANW6R/coconut+dreams.jpg</image:loc>
      <image:title>Non-fiction - Canadian Goans Write Back</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/8/23/gip-and-the-piano-the-life-and-times-of-francisco-joao-da-costa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1566594110267-BNVID0BZMBZ6XY6WSLUW/9781786833907.jpg</image:loc>
      <image:title>Non-fiction - GIP and the Piano: The Life and Times of Francisco Joao da Costa</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/8/24/a-grandson-remembers-dr-sarto-esteves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1566710805086-65BO295QKUN03Q115G4Z/dr+sarto+esteves.jpg</image:loc>
      <image:title>Non-fiction - A Grandson remembers Dr Sarto Esteves</image:title>
      <image:caption>Sarto Esteves and Blanche Dantas on their wedding day, 9 April, 1961. Bombay, India.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/8/15/art-laxman-pai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-22</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/8/12/vince-costa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1566410301868-A15O2U5BLP6FK54LEO5F/Koddo+joe+goa+uk.jpg</image:loc>
      <image:title>Non-fiction - Documentary: Vince Costa talks Saxtticho Koddo</image:title>
      <image:caption>A koddo is a woven storage unit used to store grain. Picture courtesy of JoeGoa UK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1566410500598-WP89999G41SYMBY2KF8A/xatticho.jpeg</image:loc>
      <image:title>Non-fiction - Documentary: Vince Costa talks Saxtticho Koddo</image:title>
      <image:caption>The triangular open basket (sup) is used to shift grain. Picture courtesy of Saxtticho Koddo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1566410369558-LNNT172158WLQ01R4J8R/xatticho+3.jpeg</image:loc>
      <image:title>Non-fiction - Documentary: Vince Costa talks Saxtticho Koddo</image:title>
      <image:caption>Rice fields of Goa. Picture courtesy of Saxtticho Koddo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/7/23/krakens-and-the-road-photo-essay-of-saligao</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681069833-1CK7N43Z66HUMK28VG8W/Houses-02.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681124493-LJQ8YERMTQ0OGP05SBGT/Houses-01.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681188250-F9TEPPRFXX9OCBMT1VAC/Houses-04.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681283197-PPJ1B9TC32IJ16AB0PM2/Houses-05.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681353651-9KXVVHB6S8D87T8UR0V7/Houses-07.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681421779-4T6FCOVX09HFPOL7B9YL/Houses-08.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681503417-XMXX91BO44HBM2ZOW2RV/Houses-03.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1564681587903-T5QJW78I3BQKN03EC9M5/Houses-06.jpg</image:loc>
      <image:title>Non-fiction - Krakens and the Road (Photo essay of a Goan village)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/6/12/janet-h-swinney-writes-india</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1561879964246-293ALS9GM4A9SJX7KC56/bihar-cover-draft-1b-3_front-only.jpg</image:loc>
      <image:title>Non-fiction - Janet H. Swinney Writes India</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/6/3/fitz-de-souzas-memoir-busting-myths-of-heroes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1559673319425-B7WLWN8EEG17OXQLDDLU/albuquerque.jpg</image:loc>
      <image:title>Non-fiction - Fitz de Souza's Memoir: Busting Myths</image:title>
      <image:caption>The house that M. F de Albuquerque built, a replica of the Sultan of Zanzibar’s place. 2015. Photo copyright Selma Carvalho.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1559586567823-QL0J6QMGGOLDH89JNE5R/fitz.jpg</image:loc>
      <image:title>Non-fiction - Fitz de Souza's Memoir: Busting Myths</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/5/14/vimala-devi-mono-and-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557898755164-WO0OZM33857LJK110MLT/9780857426956.jpg</image:loc>
      <image:title>Non-fiction - Vimala Devi, Monção and Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/5/14/o2hwjfu1xzct3wsvmirm1qxexzqhx4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557850161493-IX2N0HMDUGRRVD8UZGF7/letter+to+Pessoa.jpg</image:loc>
      <image:title>Non-fiction - Identity, Appropriation and an Interrupted Kind of Absence</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/5/6/tony-josephs-early-indians-deconstructing-dna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557131431363-RPM8U3J4ZNWB7IUXMPBD/Great_Andamanese_-_two_men_-_1875.jpg</image:loc>
      <image:title>Non-fiction - Early Indians: Deconstructing DNA - Great Andamanese men c. 1875</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557131647944-BX36FXQVQE990PFBRWPI/A_young_Onge_mother_with_her_baby.jpg</image:loc>
      <image:title>Non-fiction - Early Indians: Deconstructing DNA - Onge mother c 1905</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557130591184-5CN3N9REDWK70Y4RNFFK/51KkaLInoAL._SX325_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Non-fiction - Early Indians: Deconstructing DNA</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/5/6/photo-essay-coexistence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209670719-MCNOPOQE109FPOJBSGJT/DSCF3111.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209691079-A95HEOKIP25GQ3TBB3UM/DSCF3248.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209748109-PLRSELQZ49DDZ9IR0JLF/DSCF3656.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209760669-6HOS5VM45EX0KLFYE45E/DSCF3705.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209773441-GV4O1NQU21RACB5JNN35/DSCF3742.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209789400-QEG5QS9767NV5VT5BAAH/DSCF3754.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557209809937-NHX8D6PK98HZFDNWPH3R/DSCF3843.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557296217832-42G15L4E4T1TI6ZEVOVO/DSCF5091.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557296235564-1GUGFXOISHHC1O82RZ2Z/DSCF5803.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557296254614-NH7B6OGOQ08H288L2RE4/IMG_0132+%281%29.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557296268956-3L20Z8UE2EJVYK171HKU/IMG_0134+%281%29.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557296291014-83F2A4ZJF1O6PZANMD3V/DSCF5073.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1557296311493-W7B7J5ORRORBGGHKE8G3/DSCF3608.jpg</image:loc>
      <image:title>Non-fiction - Photo Essay: Dog, City &amp;amp; Coexistence</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/5/3/kashmir-homefulness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1556868093588-WC83EJPBEUG7GUCC6P9J/no+fathers+in+kashmir.jpg</image:loc>
      <image:title>Non-fiction - Perspectives on Kashmir: Homefulness</image:title>
      <image:caption>No Fathers in Kashmir produced by Ashwin Kumar, part-resident of Goa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1556868912775-0UP6Z3W8KGU2BR6P46QY/bharatsikka-7834-h1000-q80-rz3-b75.jpg</image:loc>
      <image:title>Non-fiction - Perspectives on Kashmir: Homefulness</image:title>
      <image:caption>Bharat Sikka’s exhibition ‘Where the Flowers still Grow’ at Sunaparanta Centre Goa (2017). To view more of the exhibition, click here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1556870053213-53T7GPOWA5CYH6NEJFE8/default-1.jpg</image:loc>
      <image:title>Non-fiction - Perspectives on Kashmir: Homefulness</image:title>
      <image:caption>Nilima Sheikh’s artwork. ‘Her work focuses on displacement, longing, historical lineage, tradition, communal violence, and the ideas of femininity. ‘ Wikipedia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2019/4/15/fk42540senkzyn4km5teagif09kibj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-01</lastmod>
    <image:image>
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      <image:title>Non-fiction - Saudade: Memory, Place and Unmooring</image:title>
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    <lastmod>2018-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180442402-OR39KKXFJLZ72FX3XLXD/bedroom+he+was+born+in.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180375055-K0FCQSPI3FO1OMGL4ZLK/dining+hall.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180479122-1DPQVWD3HHRNR570LB0Q/living+room.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180577570-A0R57GGZNC7WYT8ZV710/P1020989.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180582822-M2Y5L9XWTE7WTSLERUCY/P1020994.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180681041-UG7PK0QU3WLS7XY0J0E6/P1020995.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180705761-4ZI2M2AL00EY792MOJTV/P1020998.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1535180756772-QNYUXSJLK1FWM222U535/P1030003.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1533713515432-GGYL1PT4948P8NJFYDS1/Goan+Pioneers.JPG</image:loc>
      <image:title>Non-fiction - How F. N. Souza Got His Name</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/5/16/short-memoir-1950-a-journey-from-goa-to-bombay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1533641189848-MFBJN9684HD6BMU0G4DR/51bIquLXvML._SY343_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Non-fiction - Short Memoir: 1950, A Journey from Goa to Bombay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/8/5/the-literary-maladies-of-diaspora-goans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1533498589579-J0YFC7718HHAXGYXTBJ9/Ben+antao.jpeg</image:loc>
      <image:title>Non-fiction - The Literary Maladies of Diaspora Goans</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/5/3/the-knight-in-the-many-lives-of-vamona-navelcar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1525424160389-KRZEXQN93BPU6QY1J41T/Vamona_FC.jpg</image:loc>
      <image:title>Non-fiction - The Knight in the Many Lives of Vamona Navelcar</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/4/26/teresa-albuquequers-goans-of-bombay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1524823750252-ZNGYCIB64B6N2PKE6CL4/baker.PNG</image:loc>
      <image:title>Non-fiction - Teresa Albuquerque's Goans of Bombay</image:title>
      <image:caption>Early twentieth century Goan bakers. Photographer unknown. Notice the knickerbocker shorts worn which along with the cabaya was the traditional dress of Goan bakers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1524823445428-6BQD5LBNHP8U9BBTINTP/9789386301611_3d-649x800.jpg</image:loc>
      <image:title>Non-fiction - Teresa Albuquerque's Goans of Bombay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/3/20/short-memoir-growing-up-in-the-company-of-nubile-women</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1523610265197-MJSJWM9U9O4C8CB3ASMK/SV402008.JPG</image:loc>
      <image:title>Non-fiction - Short Memoir: Growing up in the company of nubile women - St. Xavier's Quadrangle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1523610338552-LWYAWOZGYMEONTCJYN3G/St._Xavier%27s_College%2C_Mumbai.jpg</image:loc>
      <image:title>Non-fiction - Short Memoir: Growing up in the company of nubile women - Architectural details of St. Xavier's buildings</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1523612388709-FYL8TKV5VOWG5PXKLJD7/51OTgW70KEL._SX329_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Non-fiction - Short Memoir: Growing up in the company of nubile women</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/4/7/young-under-the-apple-boughs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1523524466052-Y4VSELDEKT1XUW9UL4IO/Nazareth+family.JPG</image:loc>
      <image:title>Non-fiction - Short Memoir: Young Under the Apple Boughs</image:title>
      <image:caption>Seen here Ralph A. Nazareth (Lawrence's grand-uncle) with his family. He and his brother J. A. Nazareth rose to prominence when in 1903 they landed the catering contract for the Uganda Railway.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1523534758986-P54P0DN2SRX8BFJ20OCV/T+J+Lobo+african+terrain.JPG</image:loc>
      <image:title>Non-fiction - Short Memoir: Young Under the Apple Boughs</image:title>
      <image:caption>This photo taken by district clerk Thomas J. Lobo is a good indication of the terrain of mid-twenthieth century Kenya.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1524114271789-MHWV8C3XQY9G40OJOYGV/Capture.JPG</image:loc>
      <image:title>Non-fiction - Short Memoir: Young Under the Apple Boughs</image:title>
      <image:caption>J. M Nazareth with wife Monica and children Lawrence and Jeanne. Kenya, c. 1950. Photo is courtesy of Lawrence Nazareth and cannot be reproduced without his permission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1523613167400-CZQXOYM3RE16XYSSN6BL/515I0Ik8h-L._SX331_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Non-fiction - Short Memoir: Young Under the Apple Boughs</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/3/16/nothing-new-on-the-portuguese</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1521191288127-GCDHOND4MMPZQWOOQU5X/A+House+of+many+mansions.jpg</image:loc>
      <image:title>Non-fiction - A House of Many Mansions</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/2/11/legacies-of-the-racial-body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518512272272-TVPRNEPVO4HKOWCZPKOY/Assimilation+Texta.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body - Assimilation</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518512293746-DXRVPITJXRDE7CFVF8WV/Expecting+Texta.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body - Expecting</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518512317794-GVW69F87EKK3O2OO47HH/inception.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body - Inception</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518512341466-YROEX2JNMYV42GQQCN5W/Reunion+Texta.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body - Reunion</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518548807340-CMPK5UWBAA6AR6VC2BRY/Nude+1.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518560950908-TP11FQ0O69V5HSCAHXRW/nude+5.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518560960324-VHA1OIOE7QYQDWQ0W346/nude+6.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518560969684-EP2WZS1NQZ60J17VQC8W/nude+7.jpg</image:loc>
      <image:title>Non-fiction - Legacies of the Racialised Body</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/2/12/excursions-to-the-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518455685901-Z8I601I5NGPQC56798MY/Boerfamily1886.jpg</image:loc>
      <image:title>Non-fiction - Excursions to 'The South'</image:title>
      <image:caption>Boer family c. 1886.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518455898872-UVUZH1KWT3A4DCA007XE/DurbanSign1989.jpg</image:loc>
      <image:title>Non-fiction - Excursions to 'The South'</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518455914857-Y3A95XD0CNRIG3G840HD/ApartheidSignEnglishAfrikaans.jpg</image:loc>
      <image:title>Non-fiction - Excursions to 'The South'</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518455212764-EVD6EE7741ITHD6EW3T1/Cape-coloured-children.jpg</image:loc>
      <image:title>Non-fiction - Excursions to 'The South'</image:title>
      <image:caption>Cape Coloured children from Bonteheuwel township, Cape Town, South Africa. Coloured is considered a neutral term in South Africa to address mixed-race populations.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/2/7/when-home-is-an-idea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518082455448-6OO460LTMB82U26YSAOQ/601443_466687420042825_817240337_n.jpg</image:loc>
      <image:title>Non-fiction - When Home is an Idea</image:title>
      <image:caption>Poet Rochelle D'silva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1518082639246-LZPZ8NSF47UB8JN90AXY/13680479_1262294813815411_5313529278482878367_o.jpg</image:loc>
      <image:title>Non-fiction - When Home is an Idea</image:title>
      <image:caption>The contemplative poet Rochelle D'silva.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2018/2/6/the-baying-people-of-burma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1517937234212-K3P2PMR86BJDLLIC1F6P/Mu_river_beside_the_village.jpg</image:loc>
      <image:title>Non-fiction - The Bayingyi People of Burma</image:title>
      <image:caption>The Mu River in Burma sustains many villages along its banks.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1517908156754-144EA2T2YVMWKUS307WJ/Frederick_Alexander_Charles_Trutwein_family_portrait.jpg</image:loc>
      <image:title>Non-fiction - The Bayingyi People of Burma</image:title>
      <image:caption>An Eurasian Burmese family, c. 1900. Although latter Eurasians were of Anglo-Burmese stock, the earlier Eurasians were Portuguese-Burmese. Many of the Portuguese were adventurers or mercenaries who had travelled to Burma from Goa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1517915772999-RZ7RHPCGVQR8I61PQ97D/800px-Namban_Elefante_Filipe_de_Brito_1.jpg</image:loc>
      <image:title>Non-fiction - The Bayingyi People of Burma</image:title>
      <image:caption>Painting of Filipe de Brito (source unknown). Brito, a Portuguese renegade, seized power in Lower Burma through connivance and was backed by Aires de Saldanha, Viceroy of Goa. Brito married Saldanha's niece Dona Luisa de Saldanha, who played a prominent role within the Bayingyi community.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1517916436483-40U1CUJW16FLCDB6ADII/Archbishop_Giovanni_Balma%2C_OMV.jpg</image:loc>
      <image:title>Non-fiction - The Bayingyi People of Burma</image:title>
      <image:caption>Archbishop Giovanni Balma, early Vicar Apostolic of the Catholic mission in Burma, c. 1848. In 1621, the king of Siam gave permission to build a Catholic Church in Ayut'ia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1517918845338-YUX3HNPJ3KZZ1USVDP51/800px-RC_church.JPG</image:loc>
      <image:title>Non-fiction - The Bayingyi People of Burma</image:title>
      <image:caption>St. Joseph's Roman Catholic Church, Mandalay. The early Catholic priest who came to Burma mainly ministered to the Portuguese stationed there.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1517942062400-RB2TOYYDCNFKD1L0R03W/51lyqhSDWmL._SX322_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Non-fiction - The Bayingyi People of Burma</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/11/22/once-upon-a-christmas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511420155573-0TSU0KPKDKU60Q791B2J/mel+photo+2.jpg</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas - Doce (courtesy Melina Pereira)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511420174489-TK2OXAM9CLS8P3MZ5V41/800px-Bebinca_com_9_folhas.JPG</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas - Bebinca (courtesy wikipedia)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511420445220-CGYDJUP7RVQY76WOOOSI/JoeGoa+UK2.jpg</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas - Neureos (courtesy JoeGoaUK)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511420967977-DM9UXN3MQXU2CV116HDI/Mel+photo.jpg</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas</image:title>
      <image:caption>A generous pot of sorpatel is cooked in advance and eaten throughout the Christmas week. Photo courtesy Melina Pereira.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511425628722-4RSL3HMSSNWI7GQDT8MQ/JoeGoaUK3.jpg</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas</image:title>
      <image:caption>It is a Goan tradition to plate Christmas sweets on Christmas Day and send them as gifts to neighbours. This is called the festa kuswad. Photo courtesy JoeGoaUK</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511440633206-YYO5H6OTPN1U91LJME3C/Syzelle.png</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas</image:title>
      <image:caption>A beautifully laid out Goan dinner table typical of Christmas Day. Photo courtesy Syzelle Pereira e Antao. Do not reproduce without permission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511427136219-6IKBFR6V8WJ3JACKQ0IG/Crawford_Market.png</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas</image:title>
      <image:caption>Crawford Market in Bombay. Goans would have done a lot of their Christmas shopping here. Photo courtesy wikipedia commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511388510223-P55XWPML5EADQ0WZ03OS/Joe+Goa+UK+file.jpg</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas</image:title>
      <image:caption>A Goan Christmas Star. It is a Goan tradition to hang paper stars outside homes. These can be quite elaborate works of art and lend an ethereal luminosity to the village night sky at Christmastime. Photo courtesy JoaGoaUK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1511421468911-TK1MJ9CRXZUU9W5PXJQ9/Bomoicar.jpg</image:loc>
      <image:title>Non-fiction - Memoir: Once Upon a Christmas</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/11/9/meeting-ze-muller-great-grandson-of-bras-sousa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510225404646-EF0NEM19Q10D07ZJ1IH6/Ze+Muller+compressed.PNG</image:loc>
      <image:title>Non-fiction - Bras Sousa: Goan Portuguese Consul in Zanzibar, 1892</image:title>
      <image:caption>Ze Muller e Sousa, great-great-grandson of Augusto Bras de Sousa, Portuguese Consul-General in Zanzibar (1892).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510256844704-TFK3Y18YIGPNOP4FP3GU/Bras+with+European+officials.JPG</image:loc>
      <image:title>Non-fiction - Bras Sousa: Goan Portuguese Consul in Zanzibar, 1892</image:title>
      <image:caption>Augusto Bras de Sousa (far right) seen here with unidentified European officials, c. 1881-1902. Bras became the first Goan to be appointed by the Portuguese as consul-general in Zanzibar in 1892 having served as vice-consul since 1885. The sword he is wearing is mostly likely to have been bequeathed him by the Sultan of Zanzibar. Other distinguished Goans of the era were bestowed similar honours. Photo cannot be reproduced without the permission of Ze Muller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510226807124-JZZ5SPZZ20RQ3T3B0X0H/Catalogue+edited.JPG</image:loc>
      <image:title>Non-fiction - Bras Sousa: Goan Portuguese Consul in Zanzibar, 1892</image:title>
      <image:caption>Front page of auction catalogue, 1897. Photo cannot be reproduced without the permission of Ze Muller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510297674923-SQQHGZRPMTOPA6FKPGG2/Bras+funeral+procession.JPG</image:loc>
      <image:title>Non-fiction - Bras Sousa: Goan Portuguese Consul in Zanzibar, 1892</image:title>
      <image:caption>Augusto Bras de Sousa's funeral procession being led down the streets of Zanzibar, 1902. It was customary for the entire population of Goans in Zanzibar to attend the funeral and Goan shops along the route of the procession would close as a mark of respect. The Catholic cemetery in Zanzibar was funded and built by Goans. Photo cannot be reproduced without permission of Ze Muller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510228136504-EGLH5SOOD21KC75XGQR1/Baker.JPG</image:loc>
      <image:title>Non-fiction - Bras Sousa: Goan Portuguese Consul in Zanzibar, 1892</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/10/8/the-gates-of-charao</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507497910032-7Z8MI9YED2XGAMQSHXQ6/chorao15.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507497928946-6U6JQZFJVUPNZL5IW8X7/chorao01.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507497942574-Q6C09LOP2AQ00X096QH1/chorao02.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507497960395-RTM5H4JL55DYH1KK7DSS/chorao04.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507497979641-N7UQEUT9FBFPU1IVZPRX/chorao05.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507536059439-FQQDDIKIT6AVS6LPTB6D/chorao06.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498173492-W026W5FQ5RRNZNN8MYNH/chorao08.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498191784-ITA5NEJKPQY8JJGLKHFN/chorao09.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498207437-D3OK0QRHLR907OYGVJ72/chorao10.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498224853-DWWTCVRR0380I0COZWWV/chorao12.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498250174-35F0QHZLOTYE15JLETQ2/chorao13.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507535901868-A1XD3OIVUTHJHZQ7E53R/chorao03.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498387553-NA9NU6LA6KI6RNHN9FNO/chorao14.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498344770-S9H9VFO50JT8S3V4LOAP/chorao17.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507498440820-KISYDWBG3X2618D598PW/chorao11.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507536192786-VQEZWMKBZ8DG8JJL885U/chorao07.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510475903273-LGQCJCXCSZ0GOW3GRQ9S/chorao18.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1510216766511-JS87SGOL0WMG5284GJE1/51uUE0%2BMV-L.jpg</image:loc>
      <image:title>Non-fiction - The Gates of Chorao</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/10/7/of-crioulos-and-poskim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507394406891-UV4ZL4F956QOEVP9RCWJ/Pip+and+Estella+.jpg</image:loc>
      <image:title>Non-fiction - Of Crioulos and Poskim</image:title>
      <image:caption>Adopted children in English literature, Pip and Estella of Great Expectations by Charles Dickens. Illustration by F. A. Fraser courtesy Wikipedia commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507395867446-H6LPUMNZ8LSYWEIM0UMH/Negro_fandango_scene.jpg</image:loc>
      <image:title>Non-fiction - Of Crioulos and Poskim</image:title>
      <image:caption>The initial word for adopted children in Goa was 'crioulo', a word linked to North American slaves of African descent. Were abandoned or freed African slaves in Goa the original poskim? Illustration of slaves preforming jongo in Brazil courtesy of Wikipedia commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507402578608-IZI453B7ULYPS5S0MZ3J/poskem.jpg</image:loc>
      <image:title>Non-fiction - Of Crioulos and Poskim</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/9/22/victor-rangel-ribeiro-the-short-story</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1506074832621-P0M9ZP4UWOQ1XQW6WW14/the+miscreant.jpg</image:loc>
      <image:title>Non-fiction - Victor Rangel-Ribeiro &amp; The Short Story</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/10/9/interview-with-bazil-mota</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507538985608-2V2G1SD8Y2903XKFOE7Z/Bazil+Mota+2.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507538998195-RA72OOAVIH3R2SFCTHNZ/Bazil+Mota+3.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507539014326-VAMH0NQ3OZFJ4WFQHQRE/Bazil+Mota+6.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507539027774-30UHCSSMKTK010BIFW9U/Bazil+Mota.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507656884044-6550DACWX1SL1MMN52DB/Mota+8.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507656906156-43AYTR3ZCP7YJIOYK9DU/mota+11.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507656928949-IKTACTZ4I3X5XRDB9INV/Brazil+Mota+2.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1507656986790-07W76CMTER4A4O37C65Z/Bazil+Mota+7.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1508140177669-610EYLG8N2FUV9FB9SDY/Bazil+Mota+10.jpg</image:loc>
      <image:title>Non-fiction - Interview with Bazil Mota</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/6/5/goan-tailors-excluded-lives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499511043766-HHNPYYJENWUO1PZ5XO6I/Photo+of+tailor+certificate+courtesy+ravi.jpeg</image:loc>
      <image:title>Non-fiction - Goan Tailors: Excluded Lives</image:title>
      <image:caption>Recent surfacing of diploma certificates awarded in Portugal and this one in England, show that Goan tailors apart from a long apprenticeship also underwent more formal training. This diploma is awarded to C. D. D'Souza from the Tailor and Cutter Academy and Institute of British Tailoring, London in 1954. Photo courtesy by grandson Peter A D'Souza who carries on the family occupation running a high-end outlet in Ahmedabad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499537801709-TBBZ17K5P0OFXYZMWW7X/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Goan Tailors: Excluded Lives</image:title>
      <image:caption>A Goan tailoring outlet located at the Nairobi Indian bazaar advertising in the Kenya Directory of 1920. Courtesy Clifford J. Pereira.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499540081988-FMYGNF4PHA0HUL2G0U11/41GBq4MMkML._SX322_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>Non-fiction - Goan Tailors: Excluded Lives</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/6/27/memoir</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500617867170-XXMI9DQUODJDABPGFOJ0/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Travelogue: Dockside Farewells, the Goan Abroad.</image:title>
      <image:caption>Armando, Mena and Clifford Pereira c. 1964, Mombasa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1498584049898-LPOHIN6BHEAGKSB6OZPM/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Travelogue: Dockside Farewells, the Goan Abroad.</image:title>
      <image:caption>St. Anselm's Parish, Tooting Bec, England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500621497318-FQV0AL2JF9VEGDME38A3/image-asset.png</image:loc>
      <image:title>Non-fiction - Travelogue: Dockside Farewells, the Goan Abroad.</image:title>
      <image:caption>Goan community picnic in Kisii, Kenya, c. 1965.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500622274494-XGRW2UG3HAICN8MUBZ4S/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Travelogue: Dockside Farewells, the Goan Abroad.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/7/18/travelogue-a-goan-in-macau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500657416189-T66BXSPZS7BMD0ZYPIA2/photo+1+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - Blue &amp; white azulejos</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500657016718-8UHDDH7SCFRE08R3R5PJ/photo+2+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - Moorish Barracks</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500921170567-HKD5CWWTCJXUMSR9C1OL/photo+3+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau</image:title>
      <image:caption>Sacred offerings of incense and food. The ritual is called Jingxiang and practised by Taoist, Buddhist, Shen and Confucianist traditions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500922101432-6MV33R1MNDXCC04IFW6P/photo+4+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - Galinha Africana</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500922134247-ZD7A59C6FTFBWY8ST1OR/photo+5+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - Serradurra</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501010939181-BM8IERVVUP7D29IPRXL1/image-asset.png</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau</image:title>
      <image:caption>'Ruins of St. Paul'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501011626228-NGOSNTKDNPGYE44JFI0X/image-asset.png</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau</image:title>
      <image:caption>St. Augustine, Indo-Portuguese works 17th century. He is most recognised wearing his Byzantine mitre (tall hat).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501863199925-Y3JR8ATBS1313T75CK43/photo+8+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - Grand Lisboa</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501863284066-TCCIT1QPFC7UWI366PYK/photo+9+compressed.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - The Venetian</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501863481194-5FJVJ2P9ENO8XA325HZK/Photo+10.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau - Inside the Venetian: fake lagoon</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501864216821-GFDLCMAY01U70SQEPECM/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Travelogue: A Goan in Macau</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/7/28/travelogue-status-unknowable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501866393767-JPF25GZFMA3MB6U83VRX/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Travelogue: Status: Unknowable</image:title>
      <image:caption>A deconstruction of R. Benedito Ferrao's packed suitcase.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501952323006-IG35L80K1F0XMX1UBKWE/Bene+Ferrao.jpg</image:loc>
      <image:title>Non-fiction - Travelogue: Status: Unknowable</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/7/20/travelogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500536734605-CVICEL28BRFVD9GORW7Z/dublin+8.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: Dublin's Literature of the Subversive - Call for Resistance</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500536771658-0MF3WFTEIBRGJWHFQX4M/dulin+11.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: Dublin's Literature of the Subversive - A history of insurrection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501864653938-UB1KSW7AHFCFRRJ0OSSG/dublin+9.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: Dublin's Literature of the Subversive - Inside the Dublin Writers Museum</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501864685696-C2DOWTGZFT22WT4P7HX0/dublin+5.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: Dublin's Literature of the Subversive - James Joyce's piano</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500539914937-02FGVEGC7EVDL0HVX2AI/dublin+7.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: Dublin's Literature of the Subversive - The ethereal Oscar Wilde is everywhere</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1500539963261-PBO1TU5BLVGP1SYLU2A0/Oscar.PNG</image:loc>
      <image:title>Non-fiction - Travelogue: Dublin's Literature of the Subversive - Wilde at the Dublin Writers Museum</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/7/26/souza-painted-hell-a-review-of-his-legacy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501092439334-ZN3EE3Z8SGRJL287MB2M/image-asset.png</image:loc>
      <image:title>Non-fiction - 'Souza Painted Hell': A Review of his Legacy</image:title>
      <image:caption>Souza spent his childhood in this house in Saligao, his mother Lilia Souza e Ribeiro's ancestral house, where he was often left in the custody of his grandmother Leopoldina Saldanha Antunes. It was a household dominated by women and Souza felt adrift in it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501091803361-T9VNSIIX31Q93HEP22ET/image-asset.png</image:loc>
      <image:title>Non-fiction - 'Souza Painted Hell': A Review of his Legacy</image:title>
      <image:caption>Inside the Mae de Deus Church in Saligao. This would have been Souza's first brush with Christianity. He was baptised in this church. The richness of its interiors no doubt would inspire his Passion art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1501523106489-ZIREMOJJB7HLNBFWV7HQ/Jugneeta+Sudan.png</image:loc>
      <image:title>Non-fiction - 'Souza Painted Hell': A Review of his Legacy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/7/2/mumbai-a-cartography-of-shared-spaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499411161786-YQYGCNY2CLBD68Q90DDL/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai</image:title>
      <image:caption>Gautam Benegal, artist, illustrator, film-maker and writer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499240405616-HQT9D53YRBLV88Q3QZA4/Crown+Bakery+Mahim.PNG</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai - Crown Bakery, Mahim</image:title>
      <image:caption>Crown Bakery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499240239820-AKKJPX7BF4OWEKFK8KMW/gargolye+VT+station..PNG</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai - Gargolye at Victoria Station</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499241328408-KY2OPAV15RN2KVKVVV3E/Brittania+%26+co+courtesy+wendell.PNG</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai - Inside Brittania photo courtesy Wendell Rodricks</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499241054293-05QLSP9XU2V2CC4J9MJD/Britannia+%26+Co%2C+Bombay.PNG</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai - Brittania Restaurant</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499410915120-AJDV5UQ12FHZACX8SKVR/Iranian+cafe.jpg</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai - Two representations of the Irani cafe</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499410929987-F4Q4Y1S5ENR0A4KEKMMZ/Irani+cafe+2.jpg</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499160339110-VZL5TYCXHGUZB1RGO6GR/Britannia+%26+Co%2C+Bombay.PNG</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1499620654790-UOUFW26C7L4Z62UMU64D/boo.jpg</image:loc>
      <image:title>Non-fiction - Left with a husk called Mumbai</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/5/12/childhood-memories-of-east-africa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-13</lastmod>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/5/1/colonial-panjim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493663643272-TVW4L8D7J1LD1HFBQ5RX/conde+de+linares+bridge+panjim+1930.jpg</image:loc>
      <image:title>Non-fiction - Colonial Panjim: From Bogland to Capital - Ponte de Linhares (Patto bridge) built c. 1632</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493663681465-DZ8IGNMGLSKZ6T6UX5O0/Road+going+to+Campal.jpg</image:loc>
      <image:title>Non-fiction - Colonial Panjim: From Bogland to Capital - Campo de Dom Manoel (Campal) planted c. 1829</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493713561975-C3P737SOU51MUSAEK7AK/image-asset.png</image:loc>
      <image:title>Non-fiction - Colonial Panjim: From Bogland to Capital</image:title>
      <image:caption>Dom Manoel de Portugal e Castro, Governor (1827-1835) was responsible for much of the planning of Panjim city.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493714032822-SEXWEAUJMHZ6EL78FQED/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Colonial Panjim: From Bogland to Capital</image:title>
      <image:caption>The Camara Municipal building was completed in 1866 at  a cost of 43,000 xerafins. Initially, the Camara Municipal did not have its own premises and used to function in rented rooms and houses.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493817016455-VCCDS8RUADR39YJZL7J1/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Colonial Panjim: From Bogland to Capital</image:title>
      <image:caption>Gathering at Instituto Vasco da Gama c. 1950. Increasingly Panjim enjoyed a Eurocentric lifestyle; its demographics comprising of a predominantly literate, Catholic population.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493871043207-E6IMT3DDZJQWRPM786FM/image-asset.png</image:loc>
      <image:title>Non-fiction - Colonial Panjim: From Bogland to Capital</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/5/1/karishma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494348814044-I17QZOHR4436IPPCPGJB/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494350766206-GVC6EVVM015179D6QB7M/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494350034799-WBEW1WY5NMV9V6LETNWN/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494350714377-99R21TRBDM664ZIZH4JO/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
      <image:caption>This Forest 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494353994857-MMV1ZJCIVC7KEJCGM2YZ/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494350957397-F3MV4HQ3LVC37Y2C9B7N/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494402649655-3T8KI28LXC76VK9943SU/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494354841872-1WTZSPYDN51UH0EVYJG8/development.JPG</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands - Development (detail of painting)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494354858966-79C843PNIHVG3R09HQWX/rain+invocation.JPG</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands - Rain Invocation</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494402910655-BZRX1C5NA2Z16YXMMRNV/Bene+Ferrao.jpg</image:loc>
      <image:title>Non-fiction - The Blood is on All our Hands</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/5/1/vamona</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493923114573-1N6Y65H0UIF52PK13FU5/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Vamona Navelcar, uma Pessoa: The Poet in the Painter</image:title>
      <image:caption>The artist at his studio. Courtesy Vamona Ananta Sinai Navelcar Facebook page managed by Anne Ketteringham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494406861460-6NMPDRB6EZK0VWM9AMYK/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Vamona Navelcar, uma Pessoa: The Poet in the Painter</image:title>
      <image:caption>Part of a series of painting on the Delhi rape case. Now part of a private collection.                                                Courtesy Vamona Ananta Sinai Navelcar Facebook page managed by Anne Ketteringham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493962060984-389CPXGSVVWBUV5LQLWI/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Vamona Navelcar, uma Pessoa: The Poet in the Painter</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/4/30/mohan-naik-the-muse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493630585790-2Z8FZ72W6SOQ1R6N5OAA/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Mohan Naik: The Man &amp; his Muse</image:title>
      <image:caption>Mohan Naik in his studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493633779881-B4H59E8I34QOMSFP68PQ/mohan+naik+3.jpg</image:loc>
      <image:title>Non-fiction - Mohan Naik: The Man &amp; his Muse - Experiments in deconstruction of form.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1493633798619-Z3IKVEU2U00FP0QAIMPC/mohan+naik+6.jpg</image:loc>
      <image:title>Non-fiction - Mohan Naik: The Man &amp; his Muse</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/5/6/memoir</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1494268050349-6BTOGD2I7NG1Z3ZPFZKL/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Memoir: The Menino will come Tonight</image:title>
      <image:caption>Mira and Tony Mascarenhas with children Desmond, Noemia and Fatima.                                                                 Lisbon flat.  1963.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/3/12/sem-floras-nem-coroas-new-flowers-old-wrangles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1489312454479-XBW2K9J9B0RX41YSJ2AD/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - Sem Flores, Nem Coroas: New Flowers, Old Wrangles</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/2/16/the-goan-portuguese-novel-by-cielo-finesco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1487703435603-P7FP1YCP9RRXQ7RWJAH2/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Goan Portuguese Novel</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/2/16/the-fallacy-of-vassanjis-goans-by-cliff-pereira</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1488367292833-8X1KNEP5N8VC6JXJRDGV/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Fallacy of Vassanji's Goans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1488367399829-V07O33W4NLLPB3OIOB9N/image-asset.jpeg</image:loc>
      <image:title>Non-fiction - The Fallacy of Vassanji's Goans</image:title>
      <image:caption>Nakuru, Kenya is where Vassanji's novel 'The In-between World of Vikram Lall' is set . The character Uncle Mahesh might have been modelled on the life of Eddie Pereira, who moved to Nakuru in 1950 and lived there during the Mau Mau insurgency. Nakuru was an important railway junction town and also capital of the White Highlands. Photo Courtesy Wikipedia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.joaoroqueliteraryjournal.com/nonfiction-1/2017/2/19/east-indians-goans-and-mangaloreans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1487660673962-WFOHW8NWMKP8F23EOEKL/image-asset.png</image:loc>
      <image:title>Non-fiction - A village Dies: East Indians, Goans and Mangaloreans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1487661539009-FJRZCN00HD83KGFWCEL4/image-asset.png</image:loc>
      <image:title>Non-fiction - A village Dies: East Indians, Goans and Mangaloreans</image:title>
      <image:caption>Young Ivan Arthur on the violin. His father is playing the guitar while his brothers play various other instruments and the women join in the singing. Courtesy Ivan Arthur.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5862505e6a496340ce46a33a/1487616298990-ZUBGDXMPMCK3FOBBL5SX/image-asset.png</image:loc>
      <image:title>Non-fiction - A village Dies: East Indians, Goans and Mangaloreans</image:title>
      <image:caption>Caesar Road 'that asphalt artery that ran from Amboli'  (1947) as remembered and reproduced on charcoal by Ivan Arthur.</image:caption>
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    <lastmod>2017-05-08</lastmod>
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      <image:title>Non-fiction - Passage to Kenya: Imperial Exploitations</image:title>
      <image:caption>The metal box Africans were required to wear around their necks under the system of kipande.</image:caption>
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    <image:image>
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      <image:title>Non-fiction - Passage to Kenya: Imperial Exploitations</image:title>
      <image:caption>Joaquim Antonio Nazareth, grandfather of the author, and his brother Raphael Agostinho were early pioneers who by 1908 had built a substantial retail business in Nairobi operating as Nazareth Bros.</image:caption>
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