By Ava Sherry
I had been drawn to R. Benedito Ferrão and Vamona Navelcar’s The Destination is the Journey, initially because it wasn’t obvious in its positioning. It felt almost like a puzzle, except with every answer found, another layer of depth revealed itself. The Destination is The Journey forms part of R. Benedito Ferrão’s edited book, Goa/Portugal/Mozambique: The Many Lives of Vamona Navelcar (2017) which is about a Goan artist – Navelcar (1929-2021) – whose life and identity, due to colonial forces, became dispersed across the boundaries of Africa, Asia, and Europe.
