R. Benedito Ferrão

The Girl who was the color of nothing

The Girl who was the color of nothing

By Selma Carvalho

Humour is notoriously difficult to render, isn’t it? So, it really is nice to hear that it works in the book. Indeed, I wanted there to be an obvious satirical element in the story and the suitors provide the perfect opportunity to demonstrate some real and very wild things one has heard of, or seen, in society. While I wanted readers to have a laugh at these figures (and maybe at themselves), I also hoped to point out the ludicrousness of what the characters subject themselves and others to. This is why the second half of the book brings back some of the occurrences from the first half, but in less funny ways.

The Most Famous Suitcase in Goan Art History

The Most Famous Suitcase in Goan Art History

By Ava Sherry

I had been drawn to R. Benedito Ferrão and Vamona Navelcar’s The Destination is the Journey, initially because it wasn’t obvious in its positioning. It felt almost like a puzzle, except with every answer found, another layer of depth revealed itself. The Destination is The Journey forms part of R. Benedito Ferrão’s edited book, Goa/Portugal/Mozambique: The Many Lives of Vamona Navelcar (2017) which is about a Goan artist – Navelcar (1929-2021) – whose life and identity, due to colonial forces, became dispersed across the boundaries of Africa, Asia, and Europe.

Of Red Dust

Of Red Dust

By R. Benedito Ferrão

Paul Melo e Castro talks about the translations Life Stories: The Collected Stories of Maria Elsa da Rocha (Goa 1556, 2023), Weeds in the Red Dust: The Collected Stories of Epitácio Pais (CinnamonTeal, 2023), and Regional Tales (CinnamonTeal, 2024) which brings together stories by Augusto do Rosário Rodrigues.