Joao-Roque Literary Journal est. 2017

By Selma Carvalho

Issue no 26

Icarus is dead, Icarus is alive. He resurrects himself in all of us as surely he must, in that tiny seedling hope, reaching for a dream which lies beyond our grasp. This then is the premise of Reshma Ruia’s haunting novel, Still Lives (Renard Press, 2022), drawing the reader in immediately and imperceptibly into a brooding sense of loss, a palpable dissolution, a wounded self, searching through the gloaming.

By Selma Carvalho

Issue no 25

At the heart of the controversy lies Teha’amana, his muse, barely thirteen (or was she eleven) when forty-three-year-old Gauguin, by arrangement with her Foster Mother, took her as his ‘bride.’ Could Teha’amana give her consent in such an arrangement? And if we assume some diluted and distorted form of consent, did she have any agency in this action?

By Selma Carvalho

Issue no 25

In 1877, urged by the British, Barghash formed an army and it is customary within British military tradition to have a band attached to battalions, in order to perform marching and ceremonial music. What is extraordinary is that in a time of colonial hierarchies defined by race, the intended band for Barghash’s army would comprise almost entirely of Goans from the west coast of India.

By Salil Chaturvedi

Issue no 25

Sure enough
four petals a touch of orange in the stem
knee-high
That’s Farsetia.
This is the only place you will find it
On top of a hill, green in August
A short-lived trick
Then, a return to bare and rocky.

By Ritoshree Chatterjee

Issue no 25

maman, i died by the shore tonight.

the sea wept a soft lavender afterthought
and sand snuck in my heart till
a peanut-seller’s pockets spilled out the evening

maman, i died by the shore tonight

the waves lapped up my little girl’s body

By Sabah Al-Ahmed

Issue no 25

1989 –
Emperor Jehangir’s awestruck lines
from a houseboat on Dal lake
had now started to melt,
‘Gar Firdaus ruhe zamin ast,
hamin asto, hamin asto, hamin ast’
It wasn’t the paradise on earth,

By Augusto Pinto

Issue no 26

Raktachandan by Sanjiv Verenkar is the latest Konkani book to win the Sahitya Akademi award. It is the eighth collection of poetry of this veteran journalist and writer of books on contemporary Goan history. The title Raktachandan refers to the tree species pterocarpus santalinus (red sandalwood in English) that has many medicinal qualities. Among other uses, in the days before modern balms and ointments invaded our pharmacies it was used as a pain-killer for a variety of aches, wounds and swellings.

By Glenis M. Mendonca

Issue no 25

When the world went into lockdown, the Margao Book Club (MBC), based in South Goa-India, met over Zoom to have interesting book discussions. In a quirky moment, the members thought of trying their hand at writing verse. The eight Rasas of Bharata’s Natyashastra, were decided as a frame for inspiration. Sixteen MBC members found respite in setting their imagination go riot in verse, and a couple of months later the curator of the Club, Savia Viegas (author, artist and art curator) selected the best to create this blissful panacea to the trapped minds and christened it ‘Viral Verse’.

Review by Selma Carvalho

Issue no 24

There are so many familiar and acclaimed names the reader will recognise: Salil Chaturvedi, Anita Pinto, Jessica Faleiro, Yvonne Vaz Ezdani, Nathaniel da Costa, Veena Gomes-Patwardhan, Bina Datwani, Pantaleao Fernandes, Edith Melo Furtado, Sheela Jaywant, Jeanne Hromnik, Bina Nayak, Kornelia C. Rebello, Alisa Souza, and Alexyz Fernandes, who all have work included in the anthology…